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Hello all once again...
I was watching the Martin Scorsese movie "Kundun" based on the 14th Dalai Lama last night and saw a scene in it I needed to question. After the Dalai Lama's father died they brought him out to an area somewhere, cut him to pieces and let vultures eat his remains. What is the deal with this? Is this just something made up for the movie or is this some custom that Tibetans use? Please help cause it put me off a bit.
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Comments
I found this:
I must have learned about the platforms at some time in my life but then the memory faded to some vague shadow. Thanks for refreshing it!
Palzang
I believe that the Parsees in India are having problems with the state governments regarding their method of corpse disposal, especially as the Indian vulture population has been decimated by the use of cattle-protecting antibiotics.
The Zoroastrians in their home country of Iran still have, and use, their Towers of Silence. There is, however, a big difference between the Tibetan and Zoroastrian attitude to the corpse. To the Zoroastrian, it is not only unclean but, more dangerously, deeply polluting. Their matter/spirit good/evil dualism is absolute, whereas I find little of this in the Tibetan literature.
As the son (and assistant) of a forensic patholigist, I find our modern attitude towards corpses very interesting. We appear to be returning to the superstitions of the pre-Christian world! I wonder whether the vast US Civil War and the Northern French WW1 cemeteries may have contributed to it.
I also worked as an autopsy assistant when I was in college for a while. Fascinating. Very good charnel ground practice!
Palzang
Yes, working around dead people quickly teaches you that the body is like a suit of clothes that you put on when you're born and then discard when you die. It really is an excellent practice. Not for naught do the yogis practice in the charnel grounds!
Palzang
That's the "Twa Corbies" for you, Simon...
As I was walking all alane,
I heard twa corbies making a mane;
The tane unto the t'other say,
'Where sall we gang and dine to-day,
Where sall we gang and dine to-day?'
'In behint yon auld fail dyke,
I wot there lies a new slain knight;
And naebody kens that he lies there,
But his hawk, his honnd, and lady fair,
His hawk, his honnd, and lady fair.
'His hound is to the hunting gane,
His hawk to fetch the wild-fowl hame,
His lady 'a ta'en another mate,
So we may mak our dinner sweet,
We may mak our dinner sweet.
'Ye'll sit on his white hause-bane,
And I'll pike out his bonny blue een;
Wi ae lock o his gowden hair
We'll theek our nest when it grows bare,
We'll theek our nest when it grows bare.'
'Mony a one for him makes mane,
But nane sall ken where he is gane;
Oer his white banes, when they are bare,
The wind sail blaw for evennair,
The wind sail blaw for evennair.'
-bf
Palzang and Simon,
I wish I'd had the opportunity to work with cadavers. I can definitely understand how useful that would be for my practice. In order to prepare myself for the death of my cats, with whom I'm extremely close and bonded, sometimes I look at them and imagine their bodies in death. I haven't done that with myself or the folks yet. Working up to it...
Thanks for the folksong. Do you like English folk music? Have you come across a very shortlived pairing, Bob and Carol Pegg, who recorded two albums as Mr. Fox? This is one of my favourites:
The Hanged Man
and it is on topic!